Can you sing?

Some people book a singing lesson to find out if: "Can I sing?" 

That very question may already contain a number of myths and misundertandings all at once and it's hard to know where to start really to answer it. 

First of all, what does it even mean - to be able to sing? 

That's a complex question and needs to be answered bit by bit so that is the way I'm gonna do it.

THE MILLION DOLLAR QUESTION

PHYSICAL PREREQUISITES

To be able to sing, you will first need the physical prerequisites making it possible for you to use your voice. Practically everybody has that, with very few exceptions. If you are one of those few exceptions you are probably very aware of it already. We are talking about deformities, illnesses and severe damage. If you are in any doubt, you can easily find out by visiting an ENT doctor (the kind of doctor who can look down your throat with a camera). Or if it is some other part of your body hindering you (like your lungs, your abdominal muscles or such), start by visiting your physician who can either treat you or refer you to the right specialist for your condition. Physical conditions so severe that they impede your vocal ability are very uncommon and the fact is, even if you do have some kind of disability there is a good chance it can be worked around anyway. The human body is an amazing creation that can do marvelous things.. 

Then there are cases when there is a physical condition, but it is caused by functional problems, i.e. - unhealthy technique. This is more common. But don't worry, if it is not severe, even pretty bad vocal damage can be solved simply through rest and technique (and if it is very severe, through medical care and then technique). Again, if you have any suspicion there can be damage, always start by visiting a Physician.

OK, let's say we have now ruled out any physical conditions or illnesses hindering you to sing and that you do have the physical prerequisites needed to sing, just like most people do. 

Then can you sing? Now that depends on what meaning we put into it.

TECHNIQUE

Do you mean - can you produce the notes you want? 

Well maybe you actually can't, but you can learn to. Not being able to reach notes is a functional hinder, i.e; it is all about technique. The same goes for volume, dynamics, staying in pitch, sound color, effects, stability, brightness, -  all aspects of sound really. And not only for sound. Also for rhythm and language. With the correct technique, knowledge and pedagogical tools you can learn how to do all these things with your voice. There can be a number of reasons for why a person's technique might not be working. There can be psychological hinders, misinformation and misunderstanding, the lack of understanding of how the voice works and how to make it work like you want. Whatever the reason is, there is help to get.

Perhaps you haven't learned how your voice works yet, but why wouldn't you be able to? No one expects you to be able to play the drums if you never learned to, right? There are many common and pretty strange ideas about singing. I plan to cover this topic in another post,- or actually - there are so many myths and misunderstandings that I plan to write a whole series about it! But for now all you need to know it that it is possible to overcome technical hinders. What you need is just access to the right knowledge. 

TASTE

….but perhaps you mean, can you sound good? 

But to answer that, we first need to know, what is good? That is a matter of taste. You can pay me to find out what I think but is that really worth the money? Everyone has different taste and mine is just one of everyones.. Perhaps you love singers like Whitney Houston, Celine Dion or Mariah Carey and perhaps I only like death metal singers. Now I'm not saying that is true, but it could be. So if you sing like Celine Dion and it is not my taste, does that make you a bad singer? Of course not.
I recommend people to rather hire me for learning how to sing according to their own taste.

EXPRESSION

But can you move someone with your singing? 

Well that is a good question! Singing is all about expression. You want to express something and listeners want to be touched by it. You want to reach them. You are most likely to do that if you tell them a story and they can relate to it. One that triggers memories and feelings of their own. It is your way of telling the story (and there are very many ways..) and the listeners own story that decide if the both connect. It's just like people, they have different personalities and different backgrounds. Sometime's they connect and sometimes they don't… Some people are easy to like, right? And some people you just can't stand.. But luckily those people are someone else's favorites.
Expression is the whole picture. The core of it is the story you are telling, the message. The way you chose to deliver it is what makes you unique. What materials do you use to paint your picture? With your voice you can put together different elements to create your sound - vocal modes, sound color, effects… How do you work with dynamics, language and rhythm? How do you move or perhaps you don't? Which facial expressions do you show and how intensely? There are so many variations and combinations, there is no right or wrong. There are just choices, what you chose to do - and not to do.. Together, that is your expression. Your way of getting your message across. 

If you want everyone to love your way of expressing yourself, you better think again, cause it's not gonna happen... This is the harsh and lovely reality of our uniqueness. There will always be people who won't like what you do, but there will also always be those who love it! Therefore my advice is, do what YOU like. Cause actually you are not THAT unique. I guarantee you that there are other people who like and are touched by the same things as you, so if you stay true to yourself and to a way of expressing yourself that feels right for you, you are going to move those people. If you enjoy your singing, others will too. Isn't that great? You have everything to win from being yourself and doing what you like!

So what was the answer to the question really.. can you sing? :-)

- Annika

Ph.D. Nandhu Radhakrishnan at the University of Missouri, Columbia (Communication Science and disorders) explains it very simply - 

"...there are people who do not sing but it is not because they cannot, but because they do not sing".

Do you REALLY want to sing like that?

Complete Vocal Technique makes it clear that anyone can sing in any way. However, that doesn't mean everyone wants to sing in every way.

The choices you make - what sounds you chose to do, and, what sounds you chose not to do - is part of the building of your own unique sound. That is simply part of what makes you You.  

Every now and then a singer gets stuck when approaching a new way to sing a song, despite that they seem to have everything they need to do it. A clear wish has been expressed for how to sing the song, they have the knowledge of what techniques can take them there and the tools for how to do it. Still they can't do it. 

This is a good time to go a bit deeper into the actually wish, to see if it really is what they think it is… 

Let's take an example: The song "And I Am Telling You I'm Not Going", sung by Jennifer Hudson. Let's say a singer wishes to sing it exactly like she does, or at least with similar energy and expression. 

The recipe for this is, simply put; a good amount of volume, which means we will be spending a lot of time in the full metal modes. Then put in some Neutral and Curbing here and there, a lot of twang and some dips into darker sound color to even more increase the great dynamics of the song, a good deal of vocal runs, some splashes of growl (vocal effect) and basically there you have it… 

Anyone can do this if they know how to. But there is something more to it at a deeper level. 

Who sings like this? What kind of character would chose to express themselves in this way? Of course that is a question that can be answered different ways depending on the person, but to simplify it a bit I would say; someone who is really eager to say something and to say it loud! The song is basically a 5 minute scolding. Imagine a long period of stong feelings and effort and build it up to a climax when you are at the top of frustration and everything basically explodes out of you. 5 minutes of screaming, yelling, begging, whining, sobbing… 

It is a great, powerful song and has given joy to many, many listeners. And this is what it is, a 5 minute loud explosion of feelings. 

Then take a singer who never speaks louder than a soft stroke. Who prefers to sing gently, simply and quietly. Now they are in my studio wishing to sing like Jennifer Hudson. Perhaps because they love it and really long to burst out into that kind of expression. Perhaps because they need to learn how to do it cause they got a job where they're gonna perform it like this.. Or perhaps because someone else told them it would be better if they sang like this. Maybe they just have some idea about that this would be good to do, but still, they really don't feel like doing it.. It can be they are not really comfortable with expressing themselves this way because it's just very far away from their own personality. Maybe they want to change both their personality and how they sing, or maybe they actually don't. Being loud is great, but being gentle is also great. It's really just a matter of taste and when a singer is expressing themselves, it is about THEIR taste, no one elses. 

Remember, it is possible, if you really want it. But the question to ask here is, do you REALLY want to sing like this? Are you up for it? Because to sing this song like Jennifer Hudson sings it means to bring out that kind of character. It takes a lot of energy and you need to be ready to give that energy. To be loud, to be angry, to take a lot of space and to not doubt that it is ok to do it. 

When that question is asked and the answer is yes, we are ready to get to work!

- Annika

Mind maps, teaching artistry and Björk

Hi everyone, it's Ville this time. As me and Annika wrote before we were recently in Copenhagen discussing technique, singing and working on our future plans. Often when we meet we end up talking so much that we forget to write anything down. This time we tried to avoid some of that by making a mind map of all the things we were discussing. It worked surprisingly well. I was forced to do a lot of mind maps at school when I was around 10 years old and then I didn't like it all. Now it seemed to work out much better. I decided to try using it also for something else.

This autumn I returned to my master's studies at the Sibelius Academy. I'm doing it part time, almost like a hobby, to keep it fun. Anyway, I made a mind map to help me structuring  the theme of my thesis. I don't know if I found out what I wanted but realised something else. I wrote down all kinds of possible things that could be part of singer's artistry or being a singer. Then I looked at the mind map and noticed how very little part is actually being taught at the singing lessons in different institutions!

Many singing teachers teach style - what is right phrasing and sound for certain genres and styles - and/or technique - how to produce wanted sounds in a healthy way. It's easy to notice that a lot of things are missing already within these subjects. Only certain styles and techniques are usually taught as a part of the curriculum. Rock has inspired so many interesting singing styles and techniques that it doesn't seem right to concentrate only on few genres within it, usually the ones with not so "rough" singing. To me, it seems that the curriculum even on a university level is based on a quite narrow image of what singer can be as an artist. This image is largely defined by classical tradition and music business.

So what other subjects could be covered? One quite obvious and easy is technology, all kinds of learning aids like recording audio and video, DAWs, microphones and their differences, voice pedals and effects etc. Also, if singer would like to concentrate more on recording there are many areas to cover like studio technology, recording techniques and auditive analysis. Many teachers teach these subjects but they are not all part of the curriculum, at least in Finland. There's also a lot of things in the area of performance that could help singer to grow as an artist, like movement and dance, communication with audience, trying out different stages and stagings.

I had some more subjects on my list but in my opinion one of the most important things for singing and voice teachers is to encourage critical thinking towards prevalent concepts of being a singer. I believe that this together with more equality of all genres and styles would make it easier for singers to find their place as vocal artists. Now there is so much competition for so few different ways of being a singer that many get frustrated in trying to fit into a certain mold. It is a challenge for all singers, also those already working professionally to redefine singer's artistry - or at least making it more diverse.

I'll end with what I think is a great example of truly innovative artist, both vocally and musically. She has constantly moved on but never lost her integrity as an artist. I saw her concert in Helsinki this summer and her music and performance really moved me, in all ways.


-Ville

Proud nerds and Lara Fabian

I spent my first years in school in the US where I grew up. The attitudes I experienced there were quite different from what I encountered when moving to Sweden years later.

At my American schools, the best students were rewarded and being an ambitious and nice student (yes it was even OK to give the teacher an apple!) was the aim. Whether or not it is good to reward the best students may be a political and completely other discussion… however since I did good I was personally happy that it was appreciated.

When my family and I moved to Sweden I soon had to readjust. Knowing or saying too much was not a good thing anymore. Students with most problems were the ones getting most attention and were put in special groups getting more time and teachers. Since I already had learnt English, my lessons of it were spent alone reading a book of choice with no guidance or futher teaching. Soon my fluent language stagnated at the level of a 10-year-old's (my age when we moved). My classmates were competing in being the coolest - which meant daring to speak up against a teacher, making a mess and to not do the homework. Being ambitious or - beware - even be nice to the teacher.. was not even thinkable. 

Shortly, being a nerd was not cool. 

Imagine how glad I was to later meet Cathrine Sadolin whom already during the first CVT-seminars I attended, began to proudly title herself and our group as ..nerds!

Finally! it was rewarded again to be a person who actually cares - who wants to find out more and go deeper, question things, develop themselves and the work they do, to revisit one's knowledge and never stop learning. 

But even at the best, most loving and accepting place as CVI.. there is just that much the general crowd can bear with the worst nerds. After a full day of intensive studying, practicing and discussing at school, followed by more pondering during evening dinners and at hotel rooms.. and when everyone's eyes were struggling to keep awake…. mine were still wide open and excited about still one more idea about vocal technique.  

When everyone had fallen asleep, left the room or even the country, there was only one person whose attention I still had and - who continuously inspired me with feedback and own ideas. As you might already have guessed…  that was Ville. 

And so we found a great source of knowledge, common interests and inspiration in each other. 

This blog is one of several things it lead to and, expect much more. We have been making plans! We are just back from Copenhagen where we spent three whole days with endless talking, planning and studying with no one else around to get tired of us :)

Another friend of mine, who is very dear to me, has many amazing qualities. She is goodhearted, intelligent, loving, funny, quick and has the energy of a hurricane. However she is not a nerd and she never could understand how me and Ville seemed to be able to go on forever talking about the same subject (vocal technique), over and over again!

In a moment of frustration she once outbursted in the humoristic kind of way only she can: 

"I am leaving now cause I know what's gonna happen anyway. Wherever the two of you start, it always ends with Lara Fabian!"  ... :)

And that is partly true. Lara Fabian's singing technique is one of many things we love to discuss. If you too would like to know more about the voice and all it can express, stay with us and join our nerdy discussions! 

- Annika